Monday, December 12, 2011

Snow Lady

Quilt # 56


Snow Lady


This quilt is made from a purchased pattern by Country Quilted Stitches.  I made it in 2002, using mostly plaids of 100% cotton.  
Measures 20" x 36" .


detail
I have made several more of these to give away as gifts, also one for an auction.  Quick and fun to make.


Quilts #57 & 58

Here's a photo I found in my files of the above with 2 others I made as gifts.  I did not get a picture of them finished.


More Snowladies



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Friday, December 9, 2011

Midnight Blues and Under a Night Sky I & II


Quilts 53 – 54 – 55

Tis The Season

I just pulled out my Christmas decorations and thought it would be fun, from now until Christmas, to photograph and post holiday projects made over the years.

53 - Midnight Blues
Midnight Blues
The inspiration for these quilts came from two different quilts seen in magazine. One included liberated stars made popular by Gwen Martson and the other was a Christmas village with Santa flying overhead.

Midnight Blues 

I made this quilt in 2001, as a Christmas Quilt, but I really like it so it stays on the wall all year round.

detail of piecing and quilting
The top and bottom sections are pieced.  Sulky Sliver Thread was used for the quilting.


detail of applique
close up

The village is raw edge appliqued, each piece was fused and the edges were finished using a small zigzag.  
Midnight Blues back


Under a Night Sky I & II

Scaling it down a bit made it feasible as a class project.


54 - Under a Night Sky I (2003)

Under a Night Sky I

detail of piecing and quilting
Under a Night Sky I - back

detail of applique


55 - Under a Night Sky II (2004)

Under a Night Sky II

detail piecing and quilting
detail applique
Under a Night Sky II - back

Tuesday, November 29, 2011

Shack Happy


Quilt # 52
Shack Happy

This was our guild's Millenium Challenge called The Neutralizer.

The Rules:
Neutralizer Challenge: This challenge will require participants to purchase enough neutral fabric to cut 6" x 6" square for each participant.  One “colour” may be added as well as one neutral. The back and binding do not count, but the borders do.

detail

I made a liberated quilt a la Gwen Martson, free cut (no rulers). I added a white on off-white as my extra neutral which was pieced with the other whites for the sky and green was my chosen colour.

back and label

I pieced my label and the left-over bits into the back of the quilt.

label

DOCUMENTATION
Quilt Name: Shack Happy
Description: Liberated pieced quilt
Pattern: no pattern, free cut
Size: 21” x 19”
Fabrics: 100% cotton
Predominant colours: Neutrals and green
Construction Techniques: free cut, no ruler
Back: 100% cotton
Batting: Hobbs 80-20
Edge finish: Double fold french binding
Quilting:free motion
Quilted by: Terry Whyte
Sleeve: yes
Label: yes
Date completed: 2000
Inspiration: Swen Martson
Quilt History: Displayed at the Kirkland Lake Mile of Gold Quilters' Guild – 2000 Quilt Show.
Maker: Terry Whyte

Thursday, November 24, 2011

Colour Wheel Mandala Challenge


Quilt # 51

Colour Wheel Mandala
Four different guilds in the area take turns hosting a biennial regional Quilt Day.
Participants get to partake in many activities throughout the day as well as participate in blocks, quilt or other challenges .  In 2005, our guild, The Kirkland Lake Mile of Gold Quilter's Guild hosted Quilt Day 3.

These were the rules for the quilt challenge:

Quilt Day 3 - Mandala Quilt Challenge

Mandalas are circular designs regarded by some as having mystical powers. They are used in ceremonies in a variety of cultures including some of our own Native cultures. Examples of mandalas include the Chinese yinyang, rose windows of Gothic cathedrals, labyrinths, and Stonehenge itself.

For our purpose, your quilt can be a pieced, appliqued, embellished circle of any kind. The quilt itself can be round or a circular design on a square or any other shaped background.

The circumference (measure all around the finished quilt) is to be 100” or less.
(e.g. a 25” x 25” square or a 20” x 30” rectangle or less).

Any method can be used so long as it has 3 layers (top – batting – back) and is quilted.
Embellish to your heart’s content

Be creative!

I thought this was a good opportunity to make a Colour Wheel since the shape was right and I had wanted to make one for my sewing room.

detail

Choosing the colours and values was a really good colour  exercise. I added some buttons for embellishment and fringed the edges.

back
A pocket with a buttonhole works better than a hanging sleeve for quilts that are not straight at the top edge.   A thin piece of panelling cut to shape helps keep the upper section firm and the quilt hangs perfectly.
pocket and hanger


NOTE OF INTEREST:  What is supposed to be the darkest value  in the RED section has faded to look as light as the lightest value in that section.  It was originally as dark as the button.
fading colour




DOCUMENTATION
Quilt Name: Colour Wheel Mandala
Description: Twelve-sided mandala
Pattern: Original
Size: 22” across
Fabrics: 100% cotton
Predominant colours: All colours
Construction Techniques: Twelve wedges consisting of 5 values – light to dark
Back: Black 100% cotton
Batting: Hobbs 80-20
Edge finish: Fringe
Quilting:In-the-ditch
Quilted by: Terry Whyte
Sleeve: Hanging pocket
Label: No
Date completed: 2005
Quilt History: Displayed at Quilt Day 3 (2005) & Kirkland Lake Mile of Gold Quilters' Guild (2005)
Maker:Terry Whyte

Sunday, November 13, 2011

NOFA Meeting - November 12, 2011



The Northern Ontario Fibre Artists held their last meeting of the year. 

Marnie

We meet 5 times a year with one of those being a play day in June, hopefully spent at one of the members' cottage.

Marnie did a great demo on making a woven book cover which everyone is excited to try on their own.

Marie and Silvia brought in their work in progress on our next group project which gave us all inspiration to get going on our own part of the project.

These are some of the pieces shared this time around.
Terry

Terry - Finger painted Mono Print

Silvia - Leather Book Cover

Terry


Silvia


Silvia 

Marie - work-in-progress

Terry - Finger painted MonoPrint


Marnie - Fearless Designs Experiment


Karen - Hand carved stamp


Terry - Round Robin - One Colour Challenge

Wednesday, November 9, 2011

M & M


Quilt #50
M & M



This is my guild President's Challenge quilt issued by our guild president in 2001. The “rules” are on the label, which I printed at the time but never attached to the quilt because I typed the wrong year and intended to redo it but......you know how that goes.

back of quilt

Since I still had the label, I decided to change the date and attach it just before taking this picture. An altered label is still better than none.

The challenge was to use a picture as inspiration. I liked the blues, whites and browns in a photo I took of Cathedral Mountain, at Sedona, Arizona.  Sorry, can't find my original photo.


detail

detail

detail, burnt edges

The picture of my grandsons, Matthew and Mackenzie, taken at my parents' 50th wedding anniversary was depicted in the colours found in the Arizona photo.

It is one of my early “art quilt” and certainly the first portrait and probably first painting on fabric.

The applique was applied, off-center, to a diagonal strip-pieced background.
I believe I used liquid dye (Procion “H”) to paint the faces and hand and some of the shadows. I also thread painted and burned the raw edges on the bottom and right side of the applique.

The background was cut on the left and bottom to add a narrow border.

back detail

label - binding



Quilt Name: M & M
Description: Appliqued “portrait” on diagonal strip-pieced background
Pattern: Original from photo
Size: 23½“ x 19¼“
Fabrics: Painted muslin, hand dyed muslin, denim and 100% cotton prints
Predominant colours: Blue, brown and white
Construction Techniques: Strip piecing, applique, painted, thread painted, burnt edges
Back: hand dyed muslin
Batting: Warm and Natural cotton batting
Edge finish: Double fold french binding
Quilting: free motion
Quilted by: Terry Whyte
Sleeve: Yes
Label: Yes
Date completed: 2001
Inspiration: Photos
Quilt History: Displayed at Kirkland Lake Mile of Gold Quilters' Guild 2002 Quilt Show
Maker: Terry Whyte

Monday, October 31, 2011

Vesey's Coneflowers


Quilt # 49

Veseys Coneflowers


I love making Challenge Quilts. I always challenge myself to try something different when making any quilt, but to do it with a group is so much more fun.

Vesey's Coneflowers was made as a result of a mini challenge at our guild.

Members were asked to bring along a sandwich baggie of scraps, which were exchanged amongst those wanting to participate.

The challenge was to make a quilt using some of the scraps, one other fabric could be added in the quilt top.

Other fabrics could be used for the borders, back and binding.

While some baggies were quite full, mine was pretty skimpy.  Nine tiny scraps. I used them all.

I found inspiration on the back cover of Vesey's Seed Catalogue.  I fused all the scraps, cut out coneflower petals from the brightest colours.  A purple patch was big enough for the centre of the flowers.

detail

This left me with a mosaic looking green, a plain grey, navy with small circles containing stars or something, and a big floral in blues. These were all cut into skinny strips to represent the leaves.

detail, leaves borders

I just happened to have a piece of that same floral, so I used it for my border, back and binding.

I just won't throw away any left-over paint or dye. I had previously painted a small piece of fabric with liquid dye after finishing another project that worked perfectly for my background.

I fused all the leaves to the background and stitched them down. Then added the petals and lastly the centres of the flowers.

back of quilt, sleeve and label
I picked up the red from the floral fabric for my skinny border and used the floral to finish off the quilt.

I stitched-in-the-ditch around the skinny border and then quilted a double grid right over the whole centre part of the quilt.

label
You may have noticed in the detail shot of the leaves above that I signed and dated the front even though I have a label.  That is a very good thing to do either on the front or back of your quilt. Since starting this blog, I have come to realize that after quilting for over 20 years, I'm really struggling in trying to figure out when quilts were made if I have not done that and attached a label.

I really liked how this little quilt turned out. I probably would never have used all those fabrics together.

But that's what's fun about challenges.



DOCUMENTATION
Quilt Name: Vesey's Coneflowers
Description: Floral Landscape
Pattern: Original
Size: 23¾” x 13”
Fabrics: 100% cotton
Predominant colours: Blue, green, rust, purple, yellow, black & white
Construction Techniques: Raw-edge Applique, fused and stitched
Back: 100% floral cotton print
Batting: Hobbs 80/20
Edge finish: Double fold french binding
Quilting: stitched-in-the-ditch and double grid
Quilted by: Terry Whyte
Sleeve: Yes
Label: Yes
Date completed: 2009
Inspiration: Picture of coneflowers on the back cover of Vesey's Seed catalogue
Quilt History: Displayed at the Kirkland Lake Mile of Gold Quilter's Guild Show in 2009
Maker: Terry Whyte